CASE STUDY
Read playwright Arthur Miller’s short essay, “Tragedy and the Common Man” (available online), and apply Miller’s ideas/principles to Troy or Rose. Compare these principles with how they apply to a traditional Greek play. Write an essay analyzing Troy as a tragic hero or Rose as a heroine. Use evidence from Miller’s essay, a Greek play, and Fences to support your points.
This is the book;
Fences
ISBN: 9780593087589
Authors: August Wilson
Publisher: Penguin
Publication Date: 2019-08-06
Also must comply with these rules
1.Introduction
Does the introduction include a hook, background on the play/theme or the writer’s background(for the biography prompt) and thesis statement? If not, discuss what’s missing or needs to be clarified.
Is the thesis in third person (no “you” or “I”) and does it state a claim about the play, its characters, or the playwright’s intentions? If not, discuss how to improve it.
Underline the thesis statement and each topic sentence. Do the topic sentences all relate directly back to the thesis? Mark any that don’t and discuss. (Hint: no body paragraph should start with a quote or just a summary of a scene from the play.)
2.Body Paragraphs
Does each body paragraph include a topic sentence, explanation, evidence (quote with cited page and/or paraphrase with citation) and analysis (TEEA paragraphs) ? If not, mark the paragraphs with missing items and discuss options for quotes.
3.Readability/Style
Problem areas (circle all that apply)
a. Spelling b. capitalization c. italics/quotes d. verb tense e. homonyms f. missing words g. fragments h. run-on Mark or help the writer use detailed description for his or her evidence.
Is the title of the play in italics, not quotation marks?
Are the characters names all spelled correctly, capitalized?
Does the writer use MLA formatting and layout for margins, page numbers, font size, in-text citations and a works cited page?
4.Reminders
Avoid the second-person “you” perspective throughout the paper.
When quoting dialogue from a play more one speaker, indent the speaker names 1 inch from the left margin. Write the name of the speakers in all capitals, followed by a period.
For example:
TROY. Truth or illusion, Bono; you don’t know the difference.
BONO. No, but we must carry on as though we did.
TROY. Amen.
(Wilson 20 1.3) (this means page 20 act 1 scene 3) There are variations for citing plays, and I’m okay with any of them.