Psycho 1960 Version: Shot analysis in relation to one critical or theoretical approach
Shot analysis in relation to one critical or theoretical approach. Select one shot (drawing or film still) or two consecutive shots and analyze it/them in relation to a key aspect of one of the following approaches studied: formalism/neoformalism, dialectical montage, Kino–truth (Kino–eye), cinematic realism, feminist psychoanalysis, genre theory, and auteur theory. Identify and analyze the formal element(s) in the shot(s) that are prioritized by the approach you select.
That is, what is the meaning and significance of the shot(s) selected in relation to the conceptual agenda or critical concerns for film analysis associated with your selected approach? (about half page of text about 160 Words Times New Roman Size 12 Font Double-Spaced APA Format Excluding the Title and Reference Pages).
