View a feature film made between 1940–1970 you have not seen before (or will see later in this class) by a great director.Comment on the specific film you saw. Pay particular attention to the camerawork,(cinematography) the editing (montage) and the sound (this can include the music).

View a feature film made between 1940–1970 you have not seen before (or will see later in this class) by a great director. If you would like to see an American film, consider seeing something directed by Frank Capra, George Cukor, John Ford, George Stevens, Preston Sturges, Billy Wilder, or William Wyler. If you would like to try a foreign film consider Ingamr Bergman (Swedish), Luis Buñuel (Spanish), Claude Chabrol (French), Frederico Fellini (Italian), Akira Kurosawa (Japanese), Lina Wetmuller (German) or the British team known as “The Archers” made up of Michael Powell and Emeric Pressburger. These are suggestions but not a comprehensive list of possibilities.

(Note that many directors were active both before and after 1970. Make sure you see a pre-1970 film, Make sure it’s a film you have not seen before, and make sure it is a feature. Don’t, for example, see Buñel’s UN CHIEN ANDALOU, which is a short, not a feature.)

Comment on the specific film you saw. Pay particular attention to the camerawork,(cinematography) the editing (montage) and the sound (this can include the music). What did you like, and what did you dislike, about what you saw? Why do you like the things you like, and why do you dislike the things you dislike? Is the film a good film, or is it not? (Note: This is not the same question as whether or not you liked it. It is entirely possible to like a film that you are aware is not very good.) You should comment on the film both as a representative of its genre and as a film.